
Leonardo
Valverde, 30 years old, one of the best tattooer in
Uruguay.
He is responsible for the organization of Tattoo Conventions
and for of the unique
tattoo magazine that was in circulation there, he tells
us about his career and
the uruguayan body mod scene.
Frrrk Guys: What was your motivation
to start tattooing?
Leonardo: I started to tattoo when
I was 15 years old.
I always loved drawing. I liked it and I was interested
in drawing, that’s the principal basis for tattooing.
I got the first tattoo machines that were very basics…
To start tattooing you need the help guide from an artist,
because there’s nothing that really teaches you
how to tattoo. With that little help guide and with
self-improvement I learnt tattooing.
To work as a tattoo artist I’ve spent 3 years
developing the technique…
Frrrk
Guys: What were your influences?
Leonardo: The influences spring up year by
year, and step by step, you start to know new artists.
In the beginnings it was so hard to know good artists
because we got few materials and they were very limited.
After the knowledges’ doors open, you start to
know artists from all around the world and see their
great works.
As direct influences, all good tattooer is a good influence
for me, his/her works and not the tattooer indeed. I
appreciate how she/he works, the style, the design,
the composition… it’s an influence to work
my style.
Frrrk Guys: Do you have any particular
style?
Leonardo: The search for the style
of a tattooer is an eternal search. My style is definided
for a period of time, and then it changes a lot in a
short period of time, but to define permanently my style…
no.
I work very well all the styles that are pre-established
on the tattoo scene. Nowadays I’m really exploring
something more personal in the design and composition
of tattoos after 12 years of proffessional tattooing.
FrrrkGuys:
Tell me about Tattoo and Piercing Conventions in Uruguay.
Leonardo: They were 5. The first one
was in ’98, the second was in ’99, and the
next took many years to make it real because doing an
event of that magnitude here in Uruguay is hard. The
last one was in 2005. We could make the event with approximately
80 national and international artists.
It was recognized in the Uruguayan scene, and it was
the bigger event inside this movement.
Frrrk
Guys: What is going to happen with the Uruguayan
Conventions? Because you are going to live and work
in Europe in a few days.
Leonardo: There should be new people
who want to make something in this scene. In our case,
we were Eduardo Sasía, Guzmán Tasende
and me who were fascinated in promoting the tattoo scene
by means of the conventions and other things, and now
we are a little dissapointed and tired because the uruguayan
public, and the artists fight for different reasons
instead of fight everybody together for the final product
to continue growing and in that way, we can continue
growing as artists.
To make real a new uruguayan scene there should be people
which don’t exist right now, who want to fight
and make effort to create this. There should be an artists
union to make it accomplished as it was in 2000. It’s
a problem of the uruguayan public too, because we are
a minority and defined in this scene.
Frrrk
Guys: What are the greatest uruguayan names
in the Body Mod scene either here in Uruguay and abroad?
Of course I’m including you in this list.
Leonardo: National artists I can say
Eduardo Sasía (Estudio: Evolución Tattoo),
Gabriel Callico (Estudio: Callico), Guzmán Tasende.
Victor Portugal was one of the first uruguayan artists
who was recognized abroad, specially in Spain and beacuse
he travelled (he was one of the first artists in flying
abroad) and was in many conventions, and that was a
help for him because his works were exposed and published
in magazines from all around the world. Obviously his
artistic quality is really good, it’s over many
others.
And in respect of international artists, there are many.
I can say Guy Aitchinson, Paul Wood, Robert Hernandez…
more or less, they’re the basis of artistic quality.
Frrrk Guys: I know what happened with
the Uruguayan Magazine ‘Cuerpo Cultura’
which had no success. What do you think it happened
with the magazine?
Leonardo: The minor market that we
have here could be one of the reasons. It’s a
topic to analyse because not many things have success
in Uruguay, even more when they have a minor market.
In particular, when the group of people is puntual and
defined…
Because of that, the project died in its beginnings.
Frrrk
Guys: What do you think about the Uruguayan
Body Mod Scene?
Leonardo: The Uruguayan Body Mod Scene
is practically null, because we are a minority, and
we don’t have such a big market. The fact that
there isn’t a defined market makes difficult to
expand the scene in respect of ‘extreme’
body mods, or to see people more tattooed as we can
see in Brasil or Argentina.
The uruguayan don’t incorpore it as he could.
Frrrk
Guys: What does tattooing mean for you?
Leonardo: Ufff… Tattoo is everything
for me. It’s a way to express, but it has an external
sharing because it’s a product for the client,
and we are like the mediators between the client’s
expression of his/her ideas and his/her skin. Each tattoo
is shared, it’s an experience that I live, and
the client shares it with me, which I get, I process
it and then, every tattoo makes me grow up or make me
know things that I wouldn’t know by myself. It’s
really a good feeling.
If
we talk tattoo as an art, as a design of something,
the creation is the principal thing for me, from its
realization, to get an attractive final product, that
makes it comfortant and makes me grow up as an artist.
Frrrk
Guys: A message to the reader …
Leonardo: The tattoo scene is a world
which has too many things to offer either for tha tattooer,
the tattooed, or someone who just admire the tattoo.
It’s really good to know that, and after you know
this world, another doors open to you.
Uruguay is a slowly country, and I think maybe in 20
years it could be an interesting scene because year
by year new artist come out and people are more interested
in tattoos.
There is a general approval of tattoo.
Uruguay has just got away from that myth, that taboo
as the tattoo was seen.
The growing is slowly, but with some lucky, there could
be an important movement here.
Works
by Leonardo Valverde:
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Eduardo
Sasía, Leonardo Valverde and Guzmán
Tasende |
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Contact
Leonardo Valverde: http://www.fotolog.com/area51art
Technical
Informations:
Leonardo Valverde was interviewed by Nacho.
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Links:
Eduardo Sasía: http://evoluciontattoo.com
- http://www.fotolog.com/evoluciontattoo
Gabriel Callico: http://www.eltatuaje.com
Guzmán Tasende: http://www.guzmantasende.com
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